All poems copyright Keith Brian Johnson in the years indicated. Reproduction of any or all of these poems for noncommercial purposes, with attribution and with notice of copyright, is permitted; reproduction of any or all of these poems for commercial purposes, or without attribution, or without notice of copyright, without the author's express permission, is not permitted.
----------------------
Of Transcendental Meaning's Dread Decay

I strive to understand, to no avail:
We write our lives like drunken scriveners
Upon the universe's reams and reams
Of space and time in biochemical
Calligraphy, in strokes illegible.
No seer yet discerns nor sorcerer
Perceives, no poet yet in full describes
Nor artist wholly represents, the sum
And record of our runes; no scientist
Can quantify the ordered tumult of
Our characters, the pandemonium
Of hieroglyphs we scribble and we scrawl;
No learned sage could read the chaos of
Our letterings nor wise decipherer
Decode our enigmatic lines; nor yet
Could oracle divine demystify
Our cryptic text. I too am doomed to fail.

I speak in ceaseless speeches to myself--
Reciting endless rote soliloquy,
Repeating monologues from memory--
And search for meaning in my weary words
And musing meditations; silently
I whisper secret mantras, mutter chants
And incantations, murmur cadences
Of randomly remembered rhetoric's
Incestuous associations and
Incessantly recycled syllables,
And seek anew significance and sense
In sad and empty echoings of lost
Profundity.... Delusionary dreams
Deliver vague and vexing promises
Of import, serving only to remind:
In former times I understood the masked
And masquerading Mysteries of Life
And penetrated turgid talk of Truth;
I viewed illuminated insight then,
Could comprehend the Tao. What have I meant--
What could I possibly have meant?--by all
These thoughtless thoughts? Relentless reveries
Devoid of depth inspire naught but dread:
I probe these melancholy maunderings
For point or rationale, and try in vain
To conjure purpose with semantic wand
From streams of nihilistic sibilance;
No mystic intuition yet reveals
Itself, nor sudden bright satori brings
Its blissful moment's brief enlightenment.
I cannot fathom fundamental scheme
In mad absurdities disclosing nil,
Nor satisfying subtlety derive
From desiccated data's disarray--
My feeble efforts are but sophistry
And requiem for hope, unwitting sham
Of psyche's somnolent monotony;
I weep to mourn the death of consequence,
And I at last surrender, and despair.

(© 1995)

The Magic Runes: Inscriptions of Our Gods

Behold the power of the magic runes!
To speak of suns and planets, stars and moons:
Inspired scrivenings of prodigies
Who join themselves across the centuries,
Encoding gravity and symphonies
In patternings and strange calligraphies
--The script of gods, the glyphs of deities--
Creating clouds and coastlines, mountains, trees,
With symbols of our youthful race's rise
And casting off of primitive disguise.

The magic of the runes endures beyond
The momentary waving of a wand
To leave for all a lasting legacy
In testament to masters' wizardry:
Displays our cosmos' regularity
As with triumphant rationality
These characters of ancient art profound
Deliver their discerning verdicts sound,
Describe with perfect grace and clarity
The mysteries of our reality
And show to us the deep infinitudes
In complex nature's elegant études.

Behold the power of the magic runes!
Behold! to cosmos every god attunes!
Descartes and Euclid, Gauss, Cauchy,
Pascal and Galileo and Curie;
Jacobi, Archimedes, Dirichlet,
And Boltzmann, Hamilton, and Poincaré;
Von Neumann, Ramanujan, and Galois,
Dirac and Fermi, Heisenberg, Fermat;
Pythagoras and Leibniz, Newton, Klein,
And Maxwell, Planck, Lorentz, and Einstein;
Lagrange and Riemann, Schrödinger and Bohr,
Gell-Mann and Feynman, Wheeler, Hawking, more....


Inventions of collective genius point
To miracles of gods whom we anoint:
The magic of the runes endures beyond
The reckoning of years to form a bond
With honored dead who sit on hallowed thrones
And calculate with ancient blood and bones
The course of thinking humankind's ascent
From solid ground--to starry firmament.

(© 2000)

war

the moon all misty white--cold;
the sky all dark, the stars dull shadows.
holy cyclops licks white bones,
....belly full, marches off content,
........crimson footprints staining the ground--
and the silent shiver of the trees;
the silent shiver of the trees.

(© 1977)

Come Again Next Year

The clock reads
Too late.
Soft winter's snow
Covers sweet soil,
And buries tears.
Come again next year.

(© 1980)

Museumpiece

Inside the glass cage
The pendulum swings.
Chimes strike:
..Frozen, they ring forever.
Cameras click, snapping up
..The transience of the moment.
Chimes strike:
..Shattered glass,
....And finally I escape.

(© 1981)

The Red Menace

Tread softly, my friend,
for this ground is sacred:

Raving maniacs shriek through the day,
of terrors in the night
and monsters of the darkness,
screaming lunacy down the hallways
of oneway minds
and blinded alleys,
standing at the altar of sin.

Tread softly. This ground is sacred.

(© 1981)

the war is over

with a word,
the war is over.

nights without sleep,
streets walked in darkest dark,
pounded in senseless repetition
away and away and away--
but home is nowhere.

the war is over.

(© 1981)

Twilight

Once, he was young.
Now, the passing of the years
has left him bent;
white-haired and wrinkled,
he no longer even moves.

Silent, he waits
with eyes the color of dead rainbows.

(© 1981)

M.I.A.

muffled sounds in hallowed halls,
corridors cloaked in silence;
bittercold daggers,
stiletto thrusts in the dead night.
crying in the darkness:
remember the fallen and the slain;
remember the ghouls of the night.

(© 1981)

actress

sitting in front of her mirror,
she performs her hourglass magic.
..the audience will applaud
the lady they see.

(© 1981)

The Mist

The mist is a fine maiden
speaking in soft whispers to the night
and stretching herself over the quiet land.

Covered in starlit shrouds,
she lies on her dewdrop bed
and sighs beneath the moon's caress,
and breathes with sensuous breath
the sweetness of her midnight love:
aHer lover, the night.

(© 1981)

honor thy dead

silent crying in the darkness,
muffled in the lifeless breathing of the night;
and somber wreathes left to die
on voiceless graves.

(© 1981)

Time

I. Among the Ruins

Let us walk, among the crumbling
and the fallen monuments
strewn over these soft green hills by the sea,
and observe.

The waves come rolling in, rolling in--
the waves come rolling in.

Ancient marble lies crushed upon the ground,
pulverized by the heavy march of Time,
who cares not.

Walk among the rubble.
Feel the age burdening the standing stone,
like the world on Atlas' shoulder.
Tired, tired.
The passing eons squeeze the life from the aged monuments
till at last, dead, they tumble
in torrents of lifeless dust.

The waves come rolling in.

II. The Sea

Now, the level land is covered over with water.
The monuments and the mountains
are all smoothed down to nothing,
as uncaring Time moves on.

The sun glints off the surface of some unknown rock
before the tide.

And then the sea rolls in and rolls in;
the sea comes rolling in.

(© 1981)

Oracle Seeker

Tell us, what is it you want?
Truth, you say?
But you already know Truth; harbor it inside you
like a political dissident. Tell us,
what is it you want?

(© 1981)

Adolescent Goddess, Found in a Picture Album

Such lovely legs!
Where did you get them?
Certainly not the 5&10.
Skinny, you say? No,
I don't think so. I
don't see that at all.
But lovely!--gorgeous: like
fine white sculpture
in ancient Greek ideal--
you a fine goddess
sitting on the lawn, in
this photo. You sure
you didn't borrow yourself
from Aphrodite, just for this picture?

(© 1981)

Spirit Play

The stage is set, the play prepared,
the players in the wings;
the audience awaits the starting of the show.
Now, the voices of the dead arise
and out of the star-filled ether appear
and hover in vap'ry glow
and speak to the agents of the now.
The music rises, the footlights shine,
the actors take the stage.
The dialogue begins.

Listen to the unborn stars selecting roles
and screeching protest at their acceptance
as they are borne or thrust onto the stage
and scream indignant rage!

The massèd throngs speak repeated lines over and over and
over, following some unseen script down the ages and ages
and forgotten ages, all ignorant of the voices of the dead;
while others sit in lotus meditation
and contemplate the turning of the years
and the moving of the stars
and hope to hear the dancing voices speak.
And a few just do what needs to be done
and unstrivingly absorb the essence of the words
and the spirit of the play
and enjoy in silent smiling amusement
the cantata of the day,
this speechless dialogue.

Now the play is over, now the audience departs.
The show goes on tomorrow.
The eve is done.

(© 1982)

shadow ghosts

temples long destroyed and gone beneath the knowing sea
whispering tales in sibilant waves;
broken towers and fallen monuments lying upon desert sands
and wearing down to dust.
beware the motions of the stars erasing meaning
from the vanities of man--
beware the legacies of time.

(© 1983)

Walking the Wood

To love you and to never have you---

And so I walk the woods
and listen to the incantations of the trees.
To the decrees of silent winds
stirring the crucible within--
the cauldron's dark uneven fire.

And so I am the salamander in his element,
like Proteus beneath the violent sea
or some spacewalking astronaut daring the starry deep:
or some spacewalking astronaut daring the starryalone;

And so I walk the woods and think of you.

(© 1983)

Anointed One

His time arrives. He girds himself, prepares
To meet the enemy. The gods have said
Their silent word, removed distracting cares
And fears; in coming battle, all blood bled
And glist'ning scarlet drops then drawn by sword
Unsheathed shall be well shed: his weapon's steel
Will slash with certain pride, declare him lord
And prince beneath the watching sky, will seal
His noble destiny. He dares upon
This sunlit lea opponent's futile thrust
Annunciate his coronation: don
The royal garb and sate the gods! who thus
Through elevated mortal live their lives--
The gods have said their word. His time arrives.

(© 1985)

Memory Forgotten

Who are you, and where have you come from?
I do not remember you.
Your cut of garb, your accent,
Your strangely printed runes and characters
Upon your vest--these I do not remember.
Have I forgotten you?
Did I know you once, sometime,
Somewhere, or even here?
Have I supped with you and slept with you
And spoken your name in odd disjointed dreams, perhaps,
Somewhere long ago? Do the runes and characters
Upon your vest somewhere contain me, speak
Of us and times together? Bring your tunic
To me. Did I know you once, and then forget?
I remember naught of you. I do not know you.

Troubler, begone.
Take your tunic with you.

(© 1986)

A Little Night Music: A Toast, to Dear Friends and Diplo

Hello, old friends.
Here we are again,
To drink of spirits fine,
To savor draughts of bonhomie,
Of cheer and warm camaraderie,
To quaff fermenting memory,
To relish hearty wine.

Here we are again,
To bring this idle wood to life and make these pieces sing:
With air of secret harp we serenade each fallen king,
With madrigal of stolen squares, with music of the spheres;
'Midst ticking of the double clock and turning of the years
We play familiar fugue of mirthful eve's enchanting score,
A rhapsody and reverie of noble game's allure,
As though in some intoxicating dream of waking sleep;
Tonight, old friends, we celebrate the company we keep.

And so once more the wine.
The melodies of time and chess,
Our binding songs, permit no less.
Drink deep of spirits fine.

Get out the chips and pizza.
Let's play.

(© 1991)

we die at twelve

irresistible.
maddening, all the same.
somatic subversion,
psychic treason.
hormones loosed,
reason lost.

no one denies biology
and survives unscathed;
no one obeys biology
and survives unchanged.

who remains is not oneself.
"before" and "after" pictures lie:
there is no identity.
we die at twelve
and birth impostors.

(© 1987)

Of Joyous Moment's Glee

Delight in moment free!
The child does not cage
His revelry in rage
Of future's jealousy.

Exult within the now!
Delight in moment free!
With zest and vibrancy
The newest day endow!

O instant most intense!
O passion of the night!
In moment free, delight:
Enjoy experience!

The joy of pleasures bright
Does not diminish where
There is no further care--
In moment free, delight!
-------------------------
Seek ardor in a sigh
Tonight with twinkling eye;
Who knows what happens hence?
Believe in present tense!
Tomorrow's not in sight.
In moment free--delight!

(© 1995)

Tea and Destiny

Ask me in for tea,
Plan our destiny:

Make my dreams your own,
Lovely lover mine--
Laugh at all my jokes,
Share my world with me,
Come away with me.
Then, O lover mine,
Reciprocity:
Tell me all your jokes,
Show your world to me,
Hold me close to thee.
Make your dreams my own.
This way shall it be,
Lovely lover mine:
Hope and possibility,
Laughter shared eternally,
One reality.

Ask me in for tea;
Plan our destiny.

(© 1997)

Sentient Datavore

I live in your computer.
Ghost in the machine
Or
Deus ex machina?
Your choice.
Label me.
Just remember
Audrey II.

Feed me, Seymour!

(© 1998)

Zoo

Drawn
to ducks
on water,
my nephew
--two--
ignored
elephants
lions
peacocks
monkeys
snakes
giraffes
rhinoceroses
penguins
bears
hippopotami,
fascinated
by the fountain
just inside
the zoo.

At three
perhaps
they all
will catch
his eye.
This year.
Perhaps.

(© 1999)

Schrödinger's Cat

Schrödinger's cat
lives
behind half-silvered walls
in a black box
in Copenhagen.

Schrödinger's cat
dies
behind half-silvered walls
in an impenetrable casket
in Copenhagen.

Nine lives
and nine deaths
superpose for the camera
in a magician's chamber
in Copenhagen.

The flash
enters cat's-eye double slits
and mysteriously interferes
with vision.

(© 2000)

Goddesses Are Never Plain

My Hindu goddess writes long missives
I greedily devour
like a drunken elephant
intoxicating itself on fermented mahua flowers.

She fears that one day
my fascination with her could cease,
that I could possibly find her plain or ordinary.

As though a sober elephant could ever forget
the intoxication of the mahua.

As though a goddess could ever be plain!

(© 2003)

My Valentine

My Valentine trails flaxen hair
And flutters emerald eye,
Bewitches and beguiles me
With sly unsubtle stare;
My lover tosses sun-gold tress
And utters little sigh,
Entices and enmeshes me
With delicate caress.
And every other worldly care
Is gone within her loveliness.

(© 2004)

new beginnings

pink and yellow tulips open first, their
delicate romantic blooms emitting
season's promising perfume, and presage
passion's red, carnelian flowering of
hope and life and joy

lavender azaleas spread their petals
wide and welcome giant bumblebees, who
settle there and ravish them like lovers
long forgotten, recently returned to
hope and life and joy

tiger swallowtail appears in sudden
swoop and grazes tulip and azalea,
dancing on the vernal air and vowing
summer's kiss and kiss and loving kiss of
blossoms' eager lips, a black and yellow
lepidopteran embodiment of
hope and life and joy

now is time for unrestrained desire
dressed as spring's exuberant renewal
now is time for new beginnings

(© 2006)

Tell Me

You tell me of your world with your words,
And we listen to the singing of the birds;
But above their superficial voices,
As you tell me of your world with your words,
I wonder: What impels your choices?

Do I know you better than the birds?--
Or is all I hear just superficial voices?

I don't know what you've said.
Meaning has died its dreadful death,
Leaving me, bereaving me;
I don't know what you've said.
Meaning has died its dreadful death without relief.
Meaning lied.

What impels your choices?
Your reply is stolen from me.
I cannot hear. I cannot hear.

fivesO dear one!
Do I know you better than the birds?--
Or is all I hear just superficial voices?

Tell me of your world, my love, with your words.
I'll listen to the singing of the birds,
And nod yes, yes.

Tell me of your world.

(© 1985)

Wearing Age

When we met, you were young.
Now, you wear your age like a rumpled mohair sweater
that has dined too often in the company of fools
and suffered silently through too many faculty dinners,
wrinkling in distaste.

(© 1986)

Modern Times, a.k.a. Group Session

I could tell you, mermaid,
There is no place for you here.
This ignoble time renounces spells
This ignoble time renouncand magic;
Your charm is lost.
We banish you.

No. Not even so. For
We do not even notice.

(© 1987)

Desire's Deity

In rooms of smoke and incense she
Approaches and addresses me,
And with ethereal intensity
Intones devoutly, "Blessed Be."
How earnestly she speaks to me!
How full of flame her fi'ry eyes
Alight with her belief, an ecstasy
That blazes even in her sighs!
In chambers rank with hanging clouds
She dresses in her spirit's shrouds
And smoothly passes through unnoticed crowds
Her hallowed message to espouse.

But slitted garb reveals her thighs,
And luminescence which suggests
The outline of her figure firm belies
The curvature of female breasts;
And piercing eyes and visage bright
Inspire more than my respect,
As in her flowing gown of purest white
She has immediate effect:
She has the sweet duality
That makes my pulse accelerate:
Aesthetics blends with sensuality,
Impossible to separate.

She is desire's deity!
In vain imaginings I kneel
And delicate caresses gingerly
Upon her trembling tresses feel,
And hold her outstretched hand and seek
The beating pulse within her wrist,
Traverse with fingertips her smooth white cheek;
Imagine I this goddess kissed.

From instant's sweet deluded dream
I wake to see her sit beside
Me, feel her passion's breath like engine's steam,
Perceive her ardor to confide:
In rooms of smoke and incense she
Approaches and addresses me,
But with ethereal intensity
Intones devoutly, "Blessed Be,"
And lightly leaves, desire's deity.

(© 1997)

Devour Me Absurdity

I spend my life in ardent chase of Truth,
In dubious pursuit of passions' point,
In quest of some transcendent purpose lest
This tragicomedy degenerate
To mere absurdity; I spend my days
Consumed by ceaseless search for meaning.
Consumed by ceaseless search for meaning. But
No alchemist commingles elements
Of mind or matter, thought or energy,
To form a compound full of value just
For me, and no composer's symphony
Moves parasitic god with outstretched claw
To scratch my deadly curiosity.

A toast, to mere absurdity: you win.

(© 1999)

The Leaving

I sense your doubt and tell you I am ever yours,
As long as you should want me lying by your side,
Until you nullify our magic love's allures.

What guarantee is there that present love endures?
You tremble in my arms, your nervousness belied;
I sense your doubt and tell you I am ever yours.

I understand the promises your heart abjures,
Your inability to let yourself decide
Until you nullify our magic love's allures.

The depth of your uncertainty! From distant shores
You ask of me how I can know we will abide;
I sense your doubt and tell you I am ever yours.

But now I learn that you feel safer closing doors,
Retreating, leaving me, within yourself to hide
Until you nullify our magic love's allures.

I know the loyalty that timeless love adjures
But cannot make you trust the love you have denied.
I sense your doubt and tell you I am ever yours
Until you nullify our magic love's allures.

(© 2006)

My Angel Visits

I miss her already.

My angel comes to me like magic, drives
across the separating miles, lands
herself upon my waiting step, arrives,
delivers me herself into my hands.
. . . Like magic . . .
I want to do this again and again and again.

We visit after typing out our needs
across the silent cyberspatial void;
the telephone has but conveyed the seeds
of her appeal, and I am overjoyed.
. . . Like magic . . .
I want to do this over and over and over.

We take her angel to the spacious mall
and walk the artificial paths within;
I help her angel climb and not to fall
and then to glide down children's slide, and grin.
. . . Like magic . . .
I want to do this again and again and again.

I hold my angel close before she leaves
and gaze into her happy gray-blue eyes;
we softly kiss, and gently touching weave
a loving web to catch our parting sighs.
. . . Like magic . . .
I want to do this over and over and over.

I miss her already.

(© 2006)

legacies

flowers lie buried beneath rich soil
and drink dark wine.

the breathing of the trees is solemn solace
to those who weep.

(© 1983)

Dawn

Pink streaks fill the sky in bacon strips
And heatless steam prepares the yolk.

(© 1984)

the poet bursting into bloom

waiting,
in Alphonse and Gaston silences--
no, not even that.

exchanging nervous and coquettish glances
like virgin boy and girl
about to share fragile intimacies,
long-held secrets
bursting furtively into bloom.

waiting,
shy of the words revealing ourselves,
excited and afraid of the irrevocable decision.

make love with your words.

(© 1984)

telephones

the telephones are being disconnected.
listen:
click. click. click.
one by one the connections sever,
the threads break;
the web falls apart into
ancient,
disconnected
dust.

it is the end of the world.

(© 1984)

Alike the Worms and Eagles

Nothing cold in winter's air, as ere there
Has been; nothing warm in summer's ray. I
Feel no more the shifting tides, the seasons'
Changing breezes; lying under settled
Dust, enshrouded and entombed, I take my
Leave of roving stars and lunar phases.
Joy nor grief; nor awe nor fear; nor sense of
Majesty: betouched by none, I do not
Even say farewell. Alike the worms and
Eagles die, and offer none advice: the
Dead no longer feel--we dead no longer
Care.

(© 1985)

Gardens

Weeds crowd flowers
....and thrive in rich soil.
........Densely shadowing.
Flowers fight weeds
....and survive poor light.
........Sparsely blossoming.

..............................Frost kills.

(1988)

Zen Stones

Nature put these stones in Zen arrangement,
a small, irregular rock garden
filled with weeds and leaves and grass
and unrespected invertebrates
climbing over chipped and chiseled surfaces
to unknown, unseen destinations.

A tree sings in the breeze
and the rocks are silent as Zen masters,
silent as Nature sorting and arranging,
silent as Earth thinking.

(© 1989)

For Whom Bell Tolls

Do not ask for whom Bell tolls;
he tolls for Einstein, and Bohm, and thee.

Experiment's Aspect shocks us:
the moon is not there
when no one looks.

"No reasonable definition of reality
could be expected to permit this."

Do not ask for whom Bell tolls;
he tolls for Einstein, and Bohm, and thee.

(© 1999)

You Speak to Me As Spirits Must

You rise from the realm of the dead
In shadow glow of indigo
And in your voice of long ago
You speak to me as spirits must,
In tired half-remembered tongues
And breath of long-discarded lungs
Unmeasured ages gone to dust,
With perfect resignation speak
My assignation with the bleak,
Inspire me with fearful dread;
You rise from the realm of the dead
And in your silent sibyl's voice
Inform me of my barren fate
In tones of hopeless gray fatigue:
Condemned to go and join your league
Outside of time on destined date.
You say that I am stripped of choice
And fill me with a fearful dread.
And left unsaid and left unread
The finer points of your decree,
For feathered pianissimo
Compels me now to leave, to go,
Bereft of living dignity;
A moment still, another breath
Of air before I must despair
And learn the password of your lair--
Before I speak your shibboleth
And join tonight the newly dead.

I listen now to what you've said.
For you dwell the land of the dead
And speak to me as spirits must.
Onward, then, to bone and dust.

(© 2000)

The Cheshire Smile of Empty Space

Entered the world of quasars and galaxies,
Went to the realm of pulsars and nebulae,
And there encountered you.

You dwelt within the stellar winds
And wrapped yourself in stardust;
You hid among magnetic fields
And camouflaging ions
And dared us all to find you.

Philosophers and scientists
Have sought your laughing face
With clever arguments
And sophisticated instruments,
But probing eyes could never see you
In your subtle hiding place.

I knew you by your smile.

And no charade of glowing gas
Nor supercharged veneer of virtual particles,
No well-conceived hypothesis
Nor careful chain of nuanced reasoning,
No dictate of mass spectrometer
Nor measurement of radiometer,
Will make me disbelieve.

For I have seen your beauty, Void--
And smile back.

(© 2003)

indent forty-one characters indent forty-threeOntological Lake
Here is my own private lake
stocked with time and memories
into which I throw myself
in search of that elusive mermaid,
Truth.

Nothing jumps out at me
none of my precious past
suggesting other than random occurrences
happening in some sort of unknown order,
all chaotic.






Everything jumps out at me
all of my thoughts and feelings
shouting in unnamed voices pattern! pattern!
and purpose driving all these events in networked order,
seeming all chaotic.

Out of this lake I emerge,
suffused with transcendent glow,
ready to walk the earth
with that captive secret,
Truth.
indent forty-three characters indent fortyMermaids don't exist.

(© 1982)

indent someSalutations Top to Bottom

sindent twenty-three cha"Hi."indent twenty-three chap
tindent twenty-three cha"'Lo."indent twenty-two charl
hindent fifty-one characters indent fifty-one characu
gindent fifty-one characters indent fifty-one characm
iindent fifty-one characters indent fifty-one characb
eindent fifty-one characters indent fifty-one characi
hindent fifty-one characters indent fifty-one characn
indent fifty-two characters indent fifty-two charactg
e
hindent twenty-four charaandindent twenty-four charat
tindent fifty-one characters indent fifty-one charach
indent fifty-two characters indent fifty-two characte
g
nindent fifty-one characters indent fifty-one characd
iindent fifty-one characters indent fifty-one charace
lindent fifty-one characters indent fifty-one characp
aindent fifty-one characters indent fifty-one charact
cindent fifty-one characters indent fifty-one charach
Sindent fifty-one characters indent fifty-one characs

indent twenty characof greeting,


"How are you?"
"Up and down."


like a y
like a o
like a y
like a o
like a y
like a o
like a y
like a o
like a y
like a o
like a y
like a o y
like a ao o
like a y o y
like a ao o
like a any


indent thirty characters indena(pex)
indent twenty-five characfromeight spto
indent forty characters indent forty chaz(ero)


indent twenty-four chara"Hi."
indent twenty-four chara"'Lo."

(© 1986)

indent twenty-nine characters in the heart
in the heart of the country
the secret is the silence.
being alone,
i have mastered this:
with nothing saying everything
and stillness signifying all,
the heart is undisturbed.

in the heart of the city
the secret is the silence.
within the throng,
i have mastered this:
with everything saying nothing
and motion signifying nil,
the heart is undisturbed.

indent twenty-three cha the secret is the silence.

(© 1989)

indent twenty-four charapentahaiku

flickerflutter flame
undulating candlelight
ebbing radiance

evanescent runes
fluctuating characters
dying hieroglyphs

transient images
everchanging contours
fading afterglow

fleeting epigrams
metamorphic poetry
vanishing haiku

indent twenty characmystic rhetoric
indent twenty charactranscendental sophistry
indent twenty characwordless eloquence

(© 2000)

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